Panacam-3D
Panacam 3D



Panasonic AG-3DA1
AG-3DA1



3DFF Mirror Rig
3dFF_Mirror Rig
 


Panasonic AG-3DA1
This product is the world’s first*1 professional twin-lens full-HD 3D camera recorder. Current professional 3D systems are large-scale setups in which two cameras are fitted to a rig in parallel, or vertically intersect across a half-mirror. Separate recorders are also required. In the Panasonic's new full-HD camera recorder, the lenses, camera head, and a memory card recorder are integrated into a single, lightweight body. This is much less expensive, smaller, more portable, and easier to maintain than the current professional 3D systems.
Equipped with convergence-point*2 adjustment and automatic horizontal and vertical displacement correction functions

Panacam 3D

Features:
- 3D Image Shooting with the 3D Conversion Lens
- Advanced 3MOS System
- 1080/50p Recording (Full-HD 1920 x 1080, 50 Progressive Recording)
- HYBRID O.I.S.** That Gives Hybrid Optical/Electrical Hand-shake Correction
- O.I.S. Lock
- Easy 3D Playback on 3D compatible TVs/AVCHD Compatible Player/Recorders

Point and shoot 3D camcorder. The HDC-SDT750 comes with a 3D conversion lens that records right-eye and left-eye images simultaneously through its two lenses. The right/left images (each with 960 x 1080 pixels) that enter through the lenses are recorded using the side-by-side method. By attaching the lens, and connecting it to a TV that is capable of side-by-side method 3D playback, vividly colorful 3D images can be viewed at home.

The 3MOS System has 7.59 million effective motion image pixels (2.53 megapixels x 3). This sensor separates the light received through the lens into the three primary colors -- red, green and blue, and processes each color independently, to offer images with significantly better color quality, detail and gradation than 1MOS sensor system. Large-diameter F1.5 lens, 3MOS Sensor and Crystal Engine PRO have improved the efficiency of light gathering, increased sensitivity, and reduced noise to enable bright, low-noise recording in dim lighting.

1080/50p recording (Full-HD, 1920 x 1080, 50 progressive recording) conveys about twice the information of 1080i (interlace) recording to produce high image quality. It minimizes afterimages and flickering caused by subject motion and renders crisp, detailed images. A 64-GB SDXC card can record approximately 27 hours 30 minutes of 1920 x 1080i high-definition video in HE mode, and approximately 5 hours 20 minutes of 1920 x 1080p Full-HD video in 1080/50p mode. *Not available when 3D conversion lens attached.

HYBRID O.I.S. is a optical/electrical image stabilization system. Further to blurring by vertical/horizontal wrist movements, it detects subtle blurring by vertical/horizontal entire arm movement and corrects them using a lens in the optical system and a sensor in electrical system. In electrical image stabilization, utilizing an unused area of the sensor when zooming, suppresses image degradation. Powerful correction realizes beautiful images even when shooting on the move or zooming. **Normal O.I.S. works when 3D conversion lens attached.

HDC-SDT750 provides more powerful hand-shake correction with O.I.S. Lock. By pressing the O.I.S. Lock button on the LCD monitor, the blur detection sensitivity is maximized and all kinds of camera movements are detected as hand-shake and corrected. O.I.S. Lock is ideal for applications like bird watching, which call for zooming at a fixed angle.
Considerable blurring occurs when panning or tilting the camera, due to the movement of the corrective lens.




3D Film Factory Mirror Rig

3DFF_SB
YouTube3DFF Split Beam Rig

Split beam rigs allow you to achieve the 6" to 0" inter axial distances required for medium to close up shots. Incorrect parallax settings can result in severe eyestrain and an uncomfortable viewing experience. This rig is recommended if the camera position is less than 15 feet from the subject matter.
Included is a 3D Film factory camera rail with 2 X 4" Camera mounting plates for side by side shooting .
3DFF_SBS
YouTube 

Video How to shoot using side by side rig                                                           
 
 A minimum 63 mm distance between lens centers is required when shooting with side by side rigs to achieve good stereo separation and prevent eye strain at distances of less than 15 feet from the subject matter. This is not always achievable due to camera body width. These side by side rigs are designed for shooting both wide and establishing shots where the closest focal point is greater than or equal to 15 ft (approx.) Cameras are aligned side by side allowing for quick set up and unobstructed shooting